The value of my book and myself had changed, even if the book remained as invaluable to me as when I wrote it. I had a tremendous passion for this novel. It aimed to destroy the American perspective on the Vietnam war, which influences how most of the world sees the country. My book was to be the Vietnam war novel for everyone who thought they knew what this war was about, as well as for everyone who didn’t want to read a book about an exhausted subject.
– Viet Thanh Nguyen, The Guardian
I read Viet’s book a few months ago, riveted by The Sympathizer’s prose and the sagacity of its characters. It was my first time reading about the Vietnam war, in a perspective that was aligned with my own. At a reading at City Lights Bookstore in San Francisco, Viet expanded my perspective even more as an Asian-American writer, and once as a young refugee in San Jose, California.
Every moment springs from a moment in the past. Part of the point of my book is being able to look at the legacy of slavery both in Ghana and America and what it has left us, so we can know that the moments we are living in the present, and the racial tension we have today, don’t come out of nowhere. It is all rooted in these things that happened not just hundreds of years ago, but also 20 years ago, and 10 years ago.
– Yaa Gyasi, The Fader
More recently, I delved into Gyasi’s Homegoing, an incredibly powerful read that spans generations of the Trans-Atlantic trade. While I was reading the book, I was also witnessing a recurring wave of police brutality and state violence in the country against black people.
I’m grateful for the work of these two writers and the way they shape, create and tell stories from the past, stories that continue to live.
Queer Pinay immigrant poet and storyteller.