Running a book blog is lots of hard (but pleasurable!) work and one of the things I’m always excited for are end of the year lists, best picks and titles deemed noteworthy usually announced around this time.
I’ve seen a lot of best of the year book lists and here are some of my favorites:
- Books of the Year 2017 from The Economist (of which I’ve only read two), an ambitious reading list worthy of thinking about in the new year
- NPR‘s Guide to 2017’s Greatest Reads which is a massive list that you can filter based on genre and interest. It is a Book Concierge indeed!
- The Best Books of the Year from Amazon which shows the top 20 picks from their editors
- and of course for The Ultimate Best Books of 2017 List from Literary Hub which compiles various lists from all over the web (including those listed above)
Out of all these lists though, I’m particularly partial to The New York Times best of the year book list, which usually consists of fiction and nonfiction books. Selected by the editors of The New York Times Book Review, it is something I look forward to every year.
So when it was finally released on November 30th, I was thrilled to see all five of their listed fiction books as titles I read and reviewed this year on the blog! Five-starred and highly rated, these books are the kind I hope to read for the rest of my life, stories that move and shake and empathize and challenge. I cried throughout most of them, and I’ve probably listed them on numerous lists prior to this post. They are the kind of stories I love reading and I hope to write in the same vein someday.
Here are *the great five* of 2017, along with excerpts from my book reviews this year:
Sing, Unburied, Sing by Jesmyn Ward
Reading Jesmyn Ward’s Sing, Unburied, Sing was like having a deep, deep breath lodged in the cavity of my chest, something I held on to for its entirety. Ward’s newest novel isn’t for the faint of heart either, but for someone who’s strong of will, someone who can understand the gravity of what it means to be healed, and what it means to need healing, specially at a time when the world just feels too heavy. Read the full review here.
Exit West by Mohsin Hamid
The book follows the lives of reluctant lovers (at first), Nadia and Saeed in the process of living, of leaving. Saeed is very much the son of his parents, timid and reserved, while Nadia is out on her own, having left the roof of her parents’ house as soon as she was able to. She dons black robes for protection, as she rides her motorcycle through the city of an unspecified country. It is a love story as much as it is a story of migration and transitions. Instead of focusing on the journey out, what Hamid focused on was how wars move and change people. Read the full review here.
Autumn by Ali Smith
This is a novel set in the UK, not a love story but a story about love in many forms. There’s Elisabeth and her mom, living alongside their neighbor, Mr. Daniel Gluck, and the world around them revolving in varying degrees of discovery and reconciliation. Theirs (the main characters’) was no ordinary friendship, no feudal relationship. They talked about arts, books, ways of looking at the world. The ever-present question, always Gluck’s greeting to the young one was: What you reading? Read the full review here.
Pachinko by Min Jin Lee
This endless work and suffering is what bookends the story, manifested in different characters. Lee portrays all kinds of women in Pachinko, as she lays out layers of complexities. With each generation, she highlights the struggles of Korean women within their respective socio-economic contexts: women who aren’t allowed to work because of their husband’s beliefs, women who are imprisoned in their marriages because of economic and social reasons, women who are fiercely independent, women who long to come home to Korea, women who long to move to America, broken women, heavy-hearted women, happy women, but always, suffering women. Read the full review here.
The Power by Naomi Alderman
This book is something I dove right into where men are actually fearful of women. Where young boys are told to be careful while walking by themselves. Where men cry oppression for themselves because in Alderman’s book, women, specially young girls have the upper hand. Many of Alderman’s main characters are young women, specially those who have risen out of difficulties in their life. Out of anger, out of grief, they were able to summon the power within themselves, which came in the form of jolts of electricity emanating from fingertips. Read the full review here.
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Have you read any of these books? Share your thoughts in the comments below!
Queer Pinay immigrant poet and storyteller.