Navigating the Heartland, with Ana Simo

Book Reviews, Fiction

If 2017 was finally the year that ushered in feminist science fiction fabulism, let 2018 be a stronger contender for more releases of the same kind!

Last year, I read two notable books in this category and reviewed them on the blog: The Power by Naomi Alderman (one of the best books Barack Obama said he read that year) and Her Body and Other Parties by Carmen Maria Machado. Folks may have casted this book as a dystopian read but come to think of it–a world where women held a tangible, lethal power over men? More would argue that that’s actually utopian.

I remember these books while I was reading Heartland by Ana Simo, a copy that Restless Books sent to me late last year. I didn’t know much about Simo, but after reading that the New Yorker was born and raised in Cuba and participated in early women’s and gay and lesbian rights groups, I felt an instant kinship.

Heartland is the dystopian tale of a queer Latina from Elmira County who loses her ability to write and is only comforted by the fact that she will gain some semblance of her old self by committing murder. A likely but unsuspecting target: Mercy McCabe, who has recently broken up with the love of our narrator’s life, Bebe.

If this plot doesn’t interest you, consider this: how all of these things were executed, down to the would-be murderer’s schemes/thought processes/details are hilarious. Meandering between establishing an identity as a queer woman of color, as a writer, as someone worth remembering, Simo’s prose simultaneously probes and tickles.

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#GetLit this January 2k18

fiction, Sunday Spotlight

Halfway into the month and I’m just sharing this month’s reading list! Truth be told, I’ve been slow to start this year with my reading, and I’m finally wrapping up some books I started back in 2017.

This month, I’d like to keep it real, keep it slow. In the past, I’ve sped through books that I wasn’t able to dwell in them for as much as I would’ve loved to. But since I’m off to a slow start, I’ll continue with keeping this kind of pace — live within the pages for a few moments, as they say.

I just finished The Diary of Anaïs Nin a few days ago and I’m still thinking about it. It wasn’t until I finished that I started researching more about the writer, and I think knowing how her personal life intertwined with her writing process was a startling point for me. More of these though on my upcoming review, but for now, she’s brewin’ in my mind.

Here are this month’s glorious picks:

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Heartland (Amazon | Shop your local indie bookstore) by Ana Simo

Synopsis: In a word-drunk romp through an alternate, pre-apocalyptic United States, Ana Simo’s fiction debut, Heartland, is the uproarious story of a thwarted writer’s elaborate revenge on the woman who stole her lover, blending elements of telenovela, pulp noir, and dystopian satire.

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Small Hours of the Night: Selected Poems of Roque Dalton (Amazon | Shop your local indie bookstore) edited by Hardie St. Martin

“English-only edition of poems written from exile, prison, and on the run by the Salvadoran revolutionary whose life and word urged love as well as change. Selected from 10 of his collections including two posthumous manuscripts, but none are from Poemasclandestinos (1980). The vital force of the intimate, conversational Spanish challenges the translators. Introductory essays by Ernesto Cardenal, Claribel Alegrâia, and Hardie St. Martin recommend work for the classroom and the general reader” –Handbook of Latin American Studies, v. 58.

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Uncommon Type: Some Stories (Amazon | Shop your local indie bookstore) by Tom Hanks

A collection of seventeen wonderful short stories showing that two-time Oscar winner Tom Hanks is as talented a writer as he is an actor.

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Debriefing: Collected Stories (Amazon | Shop your local indie bookstore) by Susan Sontag, edited by Benjamin Taylor

Debriefing collects all of Susan Sontag’s shorter fiction, a form she turned to intermittently throughout her writing life. The book ranges from allegory to parable to autobiography and shows her wrestling with problems not assimilable to the essay, her more customary mode. Here she catches fragments of life on the fly, dramatizes her private griefs and fears, lets characters take her where they will. The result is a collection of remarkable brilliance, versatility, and charm. Sontag’s work has typically required time for people to catch up to it. These challenging works of literary art–made more urgent by the passage of years–await a new generation of readers. This is an invaluable record of the creative output of one of the most inquisitive and analytical thinkers of the twentieth century at the height of her power.

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What are you reading this month? Share them with me and leave a comment below!